b-diddy
11-01-2009, 01:29 AM
people who enjoy works of literature usually also enjoy discussing what it means to them. and while much literarature fits uncomfortably with a spelled out analysis, its usually fun. i dont know how this board avoided creating this thread for so long. feel free to analyze existing stuff or present new material.
first subject:
elliot smith's "the biggest lie"
I'm waiting for the train
The subway that only goes one way
The stupid thing that will come to pull us apart
And make everybody late
You spent everything you had
Wanted everything to stop that bad
And now I'm a crushed credit card registered to Smith
Not the name that you call me with
You turned white like a saint
I'm tired of dancing on a pot of gold flake paint
Oh, we're so very precious, you and I
And everything that you do makes me want to die
Oh, I just told the biggest lie
I just told the biggest lie
The biggest lie
this is the epitome of work thats better left uninterpreted. it connects so well at an emotional level that theres really no need to go beyond that. yet here goes.
the song is obviously about two people heading in opposite directions. smith hints that the two have an intimate connection, as the subject calls him something more familiar "not the name that you called me with". i think its safe to assume the subject is a close friend, or girlfriend.
the subject and smith are headed in different directions, as stated. smith is waiting for a train "that will come to pull us apart". he claims it only goes one way. yet it "pulls us apart". hmm. smith seems to be neglecting the possibility of choice of getting on the train. it also seems that the train might be something more... the ferry that takes people to the afterlife (makes everybody LATE). rigardless, smith and his subject are splitso.
next thing we know subject has "spent everything you had, wanted everything to stop that bad". well, sounds like dead to me. spent/ hand literally means money, usually. but lives can be spent too, and when you spend everything because you want everything to stop, that evokes suicide.
smith's reaction is "hes a crushed credit card registered to smith". off hand, that sounds like a nihilistic way of describing oneself. im this walking money dispenser, and im devasted. "not the name that you called me with", he was something else with the subject. pretty self evident, especially in context.
"you turned white, like a saint". one thing we do is engrandize the dead. also, one thing all saints have in common is that they are dead.
"I'm tired of dancing on a pot of gold flake paint". by far the hardest interpretation, but i guess some people see it as a heroin reference. works for me. it does seem to evoke pretending, though, and the weariness that ensues.
"Oh, we're so very precious, you and I
And everything that you do makes me want to die
Oh, I just told the biggest lie
I just told the biggest lie
The biggest lie "
this goes back to choice, and is the emotional hook of the song. smith says he wants to die, and yet the train is only taking the subject away. apparently, romeo and juliet this is not.
i think this is a self loathing song. smith is upset that he's not feeling the emotions that the situation (an intimate friend's suicide) should require.
first subject:
elliot smith's "the biggest lie"
I'm waiting for the train
The subway that only goes one way
The stupid thing that will come to pull us apart
And make everybody late
You spent everything you had
Wanted everything to stop that bad
And now I'm a crushed credit card registered to Smith
Not the name that you call me with
You turned white like a saint
I'm tired of dancing on a pot of gold flake paint
Oh, we're so very precious, you and I
And everything that you do makes me want to die
Oh, I just told the biggest lie
I just told the biggest lie
The biggest lie
this is the epitome of work thats better left uninterpreted. it connects so well at an emotional level that theres really no need to go beyond that. yet here goes.
the song is obviously about two people heading in opposite directions. smith hints that the two have an intimate connection, as the subject calls him something more familiar "not the name that you called me with". i think its safe to assume the subject is a close friend, or girlfriend.
the subject and smith are headed in different directions, as stated. smith is waiting for a train "that will come to pull us apart". he claims it only goes one way. yet it "pulls us apart". hmm. smith seems to be neglecting the possibility of choice of getting on the train. it also seems that the train might be something more... the ferry that takes people to the afterlife (makes everybody LATE). rigardless, smith and his subject are splitso.
next thing we know subject has "spent everything you had, wanted everything to stop that bad". well, sounds like dead to me. spent/ hand literally means money, usually. but lives can be spent too, and when you spend everything because you want everything to stop, that evokes suicide.
smith's reaction is "hes a crushed credit card registered to smith". off hand, that sounds like a nihilistic way of describing oneself. im this walking money dispenser, and im devasted. "not the name that you called me with", he was something else with the subject. pretty self evident, especially in context.
"you turned white, like a saint". one thing we do is engrandize the dead. also, one thing all saints have in common is that they are dead.
"I'm tired of dancing on a pot of gold flake paint". by far the hardest interpretation, but i guess some people see it as a heroin reference. works for me. it does seem to evoke pretending, though, and the weariness that ensues.
"Oh, we're so very precious, you and I
And everything that you do makes me want to die
Oh, I just told the biggest lie
I just told the biggest lie
The biggest lie "
this goes back to choice, and is the emotional hook of the song. smith says he wants to die, and yet the train is only taking the subject away. apparently, romeo and juliet this is not.
i think this is a self loathing song. smith is upset that he's not feeling the emotions that the situation (an intimate friend's suicide) should require.